James Rhodes And Armando Iannucci on the Transformative Power of Music

Thursday 1 February 2018, 7pm | Cadogan Hall

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On 1st February 2018, Intelligence Squared bring Armando Iannucci and James Rhodes to our stage to discuss the transcendent power of music. They will be using the concert grand at Cadogan Hall to help tell their remarkable stories.

James Rhodes is known as the wild man of concert pianists. His approach to the piano is raw and unbridled, his tousled hair a whirl, his hands a blur over the keyboard – the diametric opposite to the composed figure in white tie and tails of classical music convention. He is as likely to play the Latitude pop music festival as the Albert Hall. His knowledge of, and passion for, the great composers is also unrestrained, pouring forth in recitals, documentaries, best-selling albums and his 2015 memoir, Instrumental.

The extraordinary thing is that this virtuoso has no formal musical education. He had a place at the Guildhall but was unable to go, due to mental health issues brought on by harrowing sexual abuse at his London prep school. In his forthcoming book, Fire on Both Sides, Rhodes airs his daily struggles with mental illness during a gruelling concert tour. In the depths of Rhodes’s sadness, Bach, Beethoven and Chopin were his solace. The lives of the great composers – as much as their music – inspired Rhodes’s recovery and his mission to spread the word about their genius.

Armando Iannucci is Britain’s leading comedy writer, the creator of Alan Partridge, Veep and The Thick of It. But he is also an obsessive classical music fan, devoted since he was 11 to what he calls ‘the single most inspiring, most moving, most magical thread running through my whole cultural experience’. Although it is comedy that made his name, it is classical music that is his most comforting art form.

In his forthcoming book, Hear Me Out, he tells the story of his lifelong love for music. It isn’t just the canon – particularly Beethoven, Bach and Mahler – that he adores, but also modern composers like Philip Glass and John Adams. Although Iannucci proclaims himself a curious amateur rather than a technical expert, he has composed a complete libretto to a surreal, comic opera about plastic surgery, called ‘Face’.

Like Rhodes, Iannucci is concerned that the British don’t talk about classical music enough. He longs to enthuse the public with his conviction that the greatest artistic miracle of all is man’s ability to create something as extraordinary as Bach’s Goldberg Variations. Rhodes shares Iannucci’s reverence for the work – he is currently recording a BBC Radio 4 documentary on Glenn Gould, the greatest interpreter of the Variations.

Join us to hear these two evangelists for the power of sound, as they explain how music transformed their lives.


Armando Iannucci

One of Britain’s most celebrated comedy writers and producers, Armando Iannucci is a creator of Veep, The Day Today, Alan Partridge, The Saturday Night Armistice and The Thick of It. He has produced numerous TV and radio programmes, including On the Hour and The Mary Whitehouse Experience. His first book, The Audacity of Hype: Bewilderment, Sleaze and Other Tales of the 21st century, is a series of satirical musings on the absurdities of modern life.

James Rhodes

Acclaimed concert pianist who has built a cult following thanks to his engaging and informal presentational style. A keen piano player, at eighteen he was offered a scholarship at the Guildhall School of Music and Drama, but went to Edinburgh University instead. He stopped playing the piano entirely and dropped out after a year. He ended up working in the City for five years. After a devastating mental breakdown that led him to be institutionalised, he took the piano up again. As well as a performer, Rhodes is a successful writer and TV presenter. His memoir, Instrumental: A Memoir of Madness, Medication, and Music, was an international bestseller.

Speakers are subject to change.


James Rhodes image © Richard Ansett